Wild Yeast

The book gods smiled upon me last week and it turns out I have not one but two copies of Bread Baking: An Artisan’s Perspective to hand off to the lucky ladies upon whom the random number gods have smiled:

Caitlin of Engineer Baker and Rebecca of Richmond Hill, Ontario. Congratulations!

The rest of you can order your book here. Read it and learn! The author Dan DiMuzio has kindly offered to answer any questions you may have on reading it, so feel free to shoot me an email and I will send it on to him.

Pain de Beaucaire is one of those breads that is like true magic to me. It really seems impossible that a stiff dough could yield a bread whose crumb is as light and open as this centuries-old bread from Beaucaire, in the south of France.

The secret lies in the bread’s unique shaping method. The dough is formed into two layers, with a layer of wet flour slurry sandwiched between them. When the sandwich is stood on its side to bake, the loaf opens along the “filling” to create its beautiful characteristic fissure, similar to a fendu loaf, and the steam created by the slurry helps lighten the crumb.

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People baked lots of seasonal celebration breads and more this week. As always, thanks to everyone who sent all this gorgeous stuff!

Thanks also to Zorra (1x umrühren bitte) for volunteering to host next week’s edition of YeastSpotting. Please include a link to Zorra’s blog in your submitted posts during the coming week. You can still send entries via the submission form, which will automatically forward them to her.

See this week’s yeast spottings…

What burning bread questions are on your mind ? How do you know how long a dough should ferment? What is the ideal baking temperature? What is an Auvergnat and how do you shape it? In his book Bread Baking: An Artisan’s Perspective, Daniel DiMuzio lets us in on all of it.

This is a textbook, aimed at baking students. It is not a cookbook, although there are a few formulas. But if you’re a bread geek like me (come on, you can admit it), you will find plenty here to interest and inform. It is technical stuff, presented very clearly so even those of us who are not pros can make sense of it.

Chapter by chapter, DiMuzio, a baker and baking instructor, takes us through each step of the bread baking process: ingredient selection, mixing, fermentation (what is that yeast really up to in there?), shaping, proofing, and baking. He explains not only what to do, but why to do it. There is also a chapter about rich and laminated doughs, and one on how to create your own dough formula.

Courtesy of Dan and of publisher Wiley, I have a copy of this great book to give away. All you have to do is leave a comment here by 11:59 PM PST on Monday, April 13 for a chance in the random drawing. International entries are welcome in this one. Remember, you cannot win if you do not play!

Be honest, do you see a dove here?

Me neither. How about now?

Okay, I admit it’s a stretch. But unable to find the paper dove-shaped molds that I should have used to bake Colomba di Pasqua, the traditional Italian Easter bread, I resorted to trying to make my own. Two 3-inch deep, 10-inch diameter paper pans with a few strategically placed staples were going to have to do.

Next time I will cut about an inch off the top of the pan so the dove can rise and soar above it instead of being trapped in a paper cage. Actually, there won’t be a next time for these makeshift molds, as I’m going now to order my genuine Italian Colomba pans for next year.

I adapted the recipe from the English translation of Cresci: The Art of Leavened Dough by Iginio Massari and Achille Zoia. I have had this opulent (and unfortunately out-of-print) book for a while, and regularly open it when I’m in the mood for a good drool, but had never baked from it before.

The formula is remarkably similar to the one I use for Panettone, but a little sweeter and richer. I built the sweet starter according to the same method I use for that other classic Italian holiday bread. Instead of using my tried-and-true mixing method for sweet enriched breads, where the sugar is added gradually and the dough is mixed to full gluten development before adding the butter, I followed the method given in Cresci, adding sugar initially in the first dough, and butter and sugar at once in the final dough.

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See this week’s yeast spottings…